{"id":197,"date":"2020-06-29T17:30:48","date_gmt":"2020-06-29T15:30:48","guid":{"rendered":"http:\/\/horizoninverse.org\/?page_id=197"},"modified":"2022-11-11T17:46:16","modified_gmt":"2022-11-11T16:46:16","slug":"brule-la-mer","status":"publish","type":"page","link":"https:\/\/horizoninverse.org\/index.php\/brule-la-mer\/","title":{"rendered":"br\u00fble la mer"},"content":{"rendered":"\n

Un film de Nathalie Nambot et Maki Berchache
couleur, 74 minutes, 2014
Format de tournage : Super8 et 16mm
Format de Projection : 35mm et DCP

Images 16mm Nicolas Rey
Montage Gilda Fine
Production : <\/a>Les films du Bilboquet<\/a>
Distribution fran\u00e7aise Les films de l’Atalante
Internationale Horizon Inverse

avec Maki Berchache, Saidi Shaharedin, Shadi Al Fawaghra, Mahmoud El Saleh, Badreddine Nobigh, Selim Sohbani, Nathalie Nambot et la famille Berchache

Br\u00fble la mer<\/em> se tient au croisement paradoxal entre l\u2019\u00e9nergie vive d\u2019une r\u00e9volution en cours, l\u2019\u00e9lan d\u2019un d\u00e9part vers l\u2019Europe, et, la violence d\u2019un accueil refus\u00e9. Le film gu\u00e8te ce qui constitue la trame sensible d\u2019une existence \u00e0 un moment de rupture. Ce qu\u2019il y a d\u2019infime, de plus commun, loin de l\u2019exotisme, mais hant\u00e9 par le r\u00eave, comme un appel. Il ne s\u2019agit pas d\u2019un documentaire sur l\u2019\u00e9migration ou la r\u00e9volution, c\u2019est un essai sur la libert\u00e9 ou plut\u00f4t de libert\u00e9 : une tentative d\u2019\u00e9vasion r\u00e9elle et fictive auquel la fabrication d\u2019un film participe, prenant part de ce processus d\u2019\u00e9mancipation : br\u00fble la mer, les fronti\u00e8res, les lois, les papiers…Qu\u2019est-ce que rompre avec sa vie pass\u00e9e, quitter son pays, sa famille o\u00f9 pr\u00e9valent encore vaille que vaille des liens tr\u00e8s forts de solidarit\u00e9, d\u2019entraide et un attachement ancestral \u00e0 la terre, pour rejoindre le monde mythifi\u00e9 et domin\u00e9 par les rapports capitalistes. Qu\u2019est-ce que c\u2019est : Vivre sa vie ?<\/p>\n\n\n\n

FID Marseille 2014<\/a> : Prix des rencontres cin\u00e9matographiques Cerb\u00e8re-Port-Bou
Mention sp\u00e9ciale du prix de la critique en ligne Institut fran\u00e7ais
Alternativa Barcelona<\/a> : Mention sp\u00e9ciale Long-m\u00e9trage
Olhar de cinema, Curitiba Br\u00e9sil : Prix Hors Piste
Festival Regards sur le Cin\u00e9ma du Monde : Prix du Meilleur documentaire<\/p>\n\n\n\n

Texte de Federico Rossin<\/strong> Salina Doc Fest<\/p>\n\n\n\n

Br\u00fble la mer is an unclassified cinematographic masterpiece: between fiction and documentary, between love for purity of form and a vigorous militant overhang. It narrates, through fragments and visions, the story of the Tunisian diaspora following the first Arab spring, the one that resulted into the sacking of Ben Al\u00ec and the end of his corrupted and bloodthirsty regime. From Maghreb to Milan, from Ventimiglia to the streets of Paris, Tunisian youth tasted a bitter freedom once they painfully discovered that their world had changed forever. The strength of the film lies in its ability to render visible – in 16 and 8mm – the experience of the radical fracture (which is a revolution that cost them the loss of their family, language, and culture ties) and of emancipation: the overthrow<\/strong> that occurs between a country that has always been dreamed and that ultimately disappoints, France, and a country left behind abandoned and regretful, Tunisia. Also, in the struggle between a northern Africa succumbingto its critical and deep rooted issues, and a more and more racist western civilisation, where is freedom? Nathalie Nambot, activist and film director, meets with Maki Berchache, introducing him to the world of independent film-making and self-produced laboratory craft \u201cL\u2019abominable\u201d. She works there with him on developing a hybrid form product, in order to narrate, with an image long detached from the one provided by the media \u2013 whether social or traditional – his life as an uprooted person who is in search of new ways of life and resists concrete and daily struggles.<\/strong><\/p>\n\n\n\n